Blue Horses: Part Two

Ukrainian Blue Horse Whistle by Olga Berdnik-Otniakina

The Return of the Ukrainian Blue Horse

Last year, I wrote of finding a blue horse statue outside an Illinois hospice facility after saying final goodbyes to my sister, and the uncanny way that the world can speak to us through symbols and synchronicities.

Today, I share the story of another blue horse—one that I said goodbye to but came back into my life in a surprising way.

In 2010, an energy healing client invited me to her home for lunch. As she bustled around in the kitchen, I looked around her cozy apartment. On a nearby shelf were three distinctive pottery figures painted in bright colors. I recognized them immediately because they had once graced my home. They were painted clay whistles that had been fashioned by my Ukrainian friend Olga Berdnik-Otniakina (facebook.com/olga.berdnic).

Olga was a single mother when she first came to the Women’s Center in Cherkasy, Ukraine. There she was introduced to expressive arts, and with the support of the group, she poured her passion for folklore and fairytales into making clay whistles. The whistles had been a traditional handicraft. Her work, often compared to the wooden figures of Oaxaca, Mexico, is now in international galleries and collections. 

I had purchased the three whistles many years earlier. Two were fanciful beasts and the third was a blue horse. I asked my client where she got them. A few days prior to our lunch, she had bought them at a hospice thrift store. She was told that they had just been put on the shelf for sale. Without knowing about my interest in women and horses, and before telling my client of their history, she handed me the blue horse and said, “I think that this is yours.”

Seven years earlier, I had hosted an invitation-only moving sale. My friend Barbara Daniels-Love purchased many items that evening, including the Ukrainian whistles. Barbara, a vibrant Black activist, died in March 2004 when her pickup truck flipped over in dense California tule fog. I later surmised that her family or coworkers must’ve donated them to the hospice thrift store six years after her death.

On the day that she died, before I had learned of Barbara’s death, I painted my nine-sided drum—with a blue horse. I had taken the day off to paint the drum after doing a dialogue process with the Horse Ancestors.  Weeks earlier, they had advised me to procure the drum and to create an “Equine Equinox” ceremony (see my blog post on celebrating the equine equinox here). On this March 2004 day, they counseled me to paint my drum and create ritual to welcome it. I meditated about what to paint, and the blue horse and other images from a dream the previous December came to me. 

As I painted a red zigzag on the drum, I mused that it looked like a “river of blood.” Searching within for its meaning, it felt appropriate as I was going through my passage into menopause. Little did I know that a few hours earlier, Barbara had just passed over the river of blood and the land of the living to the realm of her African ancestors.

Blue Horse Drum, Catherine Held 2004

The Blue Horse drum came with me to her memorial, and I used it to celebrate the first Equine Equinox. And the Ukrainian Blue Horse? It later disappeared in my 2012 move to Petaluma. After years of searching, I finally unearthed it several years ago from a box in my garage. It typically sits on my desk now but sometimes resides on my bedroom altar or travels to ceremonies. 

For decades, blue horses have filled my dreams and artwork and shamanic visions. I also happen upon them, especially recently. Visting a friend in Colorado this October, I purchased a blue horse t-shirt, and she showed me a book of poetry that sits near her bed, Lucia Tapahonso’s wonderful Blue Horses Rush In. The signature poem tells about the birth of a baby girl who arrives amid a herd of many-colored horses. 

I discovered that the Denver International Airport has a controversial blue horse statue nicknamed “Blucifer” (the name combines blue and the fallen angel/demon Lucifer), for its glowing red eyes and because its artist Luis Jiménez was killed in the making of it. Two weeks ago in meditation, a herd of blue horses came to me. Last week a loved one alerted me to “Reach Horse” by watercolor artist Carol Carter.

What do all these blue horses mean?  In the Council of the Horses Oracle wisdom deck by Sarah Wallin and Kim McElroy, the Blue Horse lives in between heaven and earth to incubate our human dreams and help manifest them. Each time I ask them their purpose, I receive a different response depending on the current circumstances, so, much as I would like to, I can’t give a definitive answer. I can say, however, that having so many blue horses show up in the last month has nudged me to write this blog post and fueled a new determination to complete my book.

References

Bailey, Cameron. “Blucifer: The Story of Denver Airport’s ‘Blue Mustang’ Sculpture from Luis Jiménez.” Uncover Colorado. Last modified August 13, 2024. Accessed November 16, 2024. https://www.uncovercolorado.com/blucifer-blue-mustang-statue-denver-airport/.

Carter, Carol. Reach Horse. Watercolor. Accessed November 16, 2024. https://www.carol-carter.com/newest-work/reach-horse.

Tapahonso, Luci. Blue Horses Rush in: Poems and Stories. Tucson: University of Arizona Press, 1998.

Wallin, Sandra, and Kim McElroy. The Council of Horses Oracle: A 40-Card Deck and Guidebook. Illustrated by Kim McElroy. Rochester, VT: Bear and Company, 2024.

Boots: Musings on Taking a Leap

Two weeks after I left the bank to become an art therapist, I became pregnant with my first child. I have always believed that my son incarnated when he did once he saw that I was on the path of the heart. This painting takes me back to that time.

“Boots” by Catherine Held, 1990

More than thirty years ago, I took a painting class from Sonoma State University (SSU) professor and noted artist Bill Morehouse. I needed to fulfill prerequisites for the master’s degree in art therapy. On the strength of Suzanne Lovell’s weekend extension course in transpersonal art therapy, and the images that bubbled up afterward from a daily art journal, I had quit a well-paying job at a business bank to pursue art therapy. It was quite a leap. Until reading the description in the SSU extension catalog, I had never even heard of art therapy before, but it felt like the profession had been tailor made for me. In the five years before I applied to the program, I had learned everything I could about psychology and personal healing, and I had always made art, crafts and worked with my hands. Then, two weeks after leaving the bank, as I prepared to become an art therapist, I became pregnant with my son.

I signed up to take a sculpture class only to learn at the first class that we would be using power tools and being exposed to chemicals. Afraid that they would harm my baby, I quickly transferred to a painting class. One of our first assignments was to create a self-portrait by painting an autobiographical object.

Three years into my second marriage, I was still getting my footing as a wife and as a stepmom to two girls. As much as I longed for a baby, I was fearful about becoming a mom. I didn’t want to screw it up. I was afraid of losing sleep because I had a breakdown experience when I was twenty years old, partly precipitated by lack of sleep. I worried about losing my independence and spontaneity. I worried that I did not know how to mother a boy. I worried that I was woefully unqualified.

As I surveyed special keepsakes looking for an autobiographical object, I suddenly thought of my boots. They were the leather boots I bought for myself when I went off to University of California, Santa Cruz at age eighteen. Bookish and shy, I bought the boots for a person I did not yet inhabit. They were a rich mahogany, with leather braid on the outside of each boot. The length of the boots and deep vee shape in the front accentuated my long legs. When I tucked my jeans into them, they made my legs look longer still. They always made me feel confident, sexy and more adventurous.

Long after college, I wore them every Halloween when I would dress as a gypsy. My last October at the bank, I read tarot cards to my co-workers in those boots. (They didn’t know that the readings were informed by my secret interest in metaphysics.) I loved those boots and had them re-soled numerous times. Although my business flats were far more practical and well-used, just knowing my boots were still waiting in my closet was reassuring.

Bill Morehouse showed us how to stretch the canvas and use a staple gun. I painted and re-painted the boots on canvas trying to capture dimensionality. The real struggle was trying to paint my essential self—a self that was about to be irrevocably changed as mother to an infant. New to acrylic painting, I was grateful for Bill’s end-of-term comment. “Keep painting,” he said.

I painted the boots to immortalize them and to challenge myself to not lose myself in the needs of others. Now, three decades later, I notice some things about the image. When I look at the painting, my legs remember how the leather lay in wrinkles on my ankles. I notice that the top of the left boot forms a heart shape. Today, the vivid blue sky and tawny ground remind me of my first glimpses of the golden California hills in summer as well as the Ukrainian flag. Mostly, I notice that the boots are empty. I didn’t know that my feet would grow with each pregnancy and that I would outgrow my beloved boots. I hung onto those boots for years after I could no longer fit into them. Now only the painting remains.

I no longer have that pair of boots, but instead of one pair I have several. I have hiking boots. I have sexy black suede boots that come up past my knees. I have two pairs of dress cowgirl boots including the red leather ones I found in Albuquerque on a cross-country trip helping my daughter move. I also have leather barn boots as well as big black rubber boots that are good for mucking out stalls and rainy weather.

As I chose a topic for my blog, this painting called out to me. I am at another transition point, contemplating a serious lifelong commitment, again afraid of responsibility and inadequacy.

I had an imaginary horse as a girl, but I have never owned a horse.  As a grown woman, I have loved and cared for two elder horses in the last years of their lives. Other women owned them and took care of their day-to-day needs. I have studied equine-assisted learning, I have interviewed countless women about their experiences with horses and spent many years writing thousands of words about the connection between women and horses.

As I reflect on the painting and my fears when pregnant, I know that my fears were not unfounded. My life did change overnight with the birth of my son. Many times, I was unprepared and overwhelmed with the responsibility. There have been hard times and scary times. But what I forgot when I was pregnant and remind myself of now is the joy that I would have missed if I had never become a mom. Treasured moments of connection, of laughter, of love. Thousands of ordinary moments. And my fears of losing sleep and possibly breaking down? Middle of the night feedings of my babies remain some of my most priceless experiences.

In recent months, I have looked at the high costs of taking care of a horse and made some initial inquiries into boarding a horse. I have started a special savings account. I am afraid that I might not be able to meet his or her financial needs and concerned about my lack of horse skills. I think that this painting caught my attention now for a good reason. Like with being a mom and stepmom, I can learn new skills and ask for help. Now as, I contemplate having a horse companion come into my life, this painting reminds me to focus on the possibilities—and that taking a leap can bring unexpected joys and rewards.

Be Kind to Your Future Self

I am finding that if I imagine being kind to my future self, I make more good-for-me choices.

A few months ago, I read Atomic Habits by James Clear. The author has studied the behavioral science behind how to break bad habits and encourage good habits. The “atomic” in the title suggests his approach—that making tiny (atomic) changes to our routines can pay off in big rewards later as the impact of those changes accumulate. It’s like the magic of saving modest amounts of money over time. He points out that many of us know the things that are good for us such as eating better, losing weight, exercising and putting money aside for retirement. Unfortunately, though, because the payoff is in the future, it’s hard to get motivated.

Continue reading “Be Kind to Your Future Self”

Called to the Horse Through Dreams and Art

Some women are called to horses through art and dreams, like Kim McElroy in this description of a potent horse dream that she had as a girl.

pastel drawing of three horses by catherine held
Pastel Horses, April 2021 by Catherine Held

Recently, I pulled out Kim McElroy’s Secrets of Drawing Horses dvd given to me by the artist when we met at her home in the Pacific Northwest in 2014. On vacation with my daughter, I had spotted prints of some of her pastel horse paintings. When I picked up the first image, I was delighted to find that among the white clouds were hidden horses. After generously inviting me to her home, I interviewed her for my forthcoming book, Called by the Horse: Women, Horses and Consciousness.

Kim has since made the workshop available for free online. It begins with The Girl Who Wanted to be a Horse. In it Kim describes her girlhood love of horses and her frustration while trying to capture the movement of horses in her drawings. When she imagined herself as a horse, though, the drawings came easily. Afterwards, she fell asleep in her friend’s hayloft where a white winged horse came to her in her dreams to tell her she could tune into the magical power of horses through her imagination and art and affirmed her path as an artist.

Following prompts from the DVD, I listened to Kim’s meditation. I imagined myself as a horse in a sea of horses and picked up chalk pastels to draw the feelings evoked in the drawing shown here.

I believe that women are called to horses in many ways, including, as in Kim’s experience, through dreams and art as well as to living, breathing horses. My curiosity about the call to the horse experienced by so many women has preoccupied me for almost twenty years. Why now? What does it mean? How shall we respond? These are questions I have wrestled with in the book. As I prepare the manuscript for publication, the answers are clearer. Ultimately, I have come to believe that horses are calling women—and some men—to empower us into greater leadership and partnership for the sake of our precious Earth and all of her inhabitants.

How Horses Teach Us to Lead

Happy New Year, Everyone!

I am excited to share that my article, “How Horses Teach Us to Lead,” was published in the Winter 2020 edition of the Sonoma County Horse Council’s Horse Journal. I have shared it with you below. To read the complete journal or learn more about the Horse Council, click here.

Horses Teach Us To Lead

To download a copy of my article, you can right click on the pdf and “Save Image As.”

Petaluma Travel Journal Workshop!

Combine travel journal making with a touristy treasure hunt in the heart of historic downtown Petaluma!

I’m excited to announce I’ll be hosting a Travel Journal Workshop on April 26, 2019, in Downtown Petaluma! Please check out the flyer below and share with anyone who might be interested in joining. Click here for more info about the workshop and to register. Space is limited, so please be sure to R.S.V.P. Hope to see you there!

Travel Journal Workshop_Catherine Anne Held

To download a copy of the flyer, click here.

Meet “Dr.” Peyo: A Horse Who Heals With His Heart

cheval-de-coeurSome of the most interesting science behind equine therapy and equine facilitated learning focuses on the measurable heart connection between horses and humans. But science alone cannot adequately explain how horses heal humans or the sense of wonder it evokes. Recently, as I was writing a chapter in my book about horses and healing, I watched some videos of a very special French stallion named Peyo from the Dijon region of France. In the video, Peyo and his person, Hassen Bouchakour, visit Ehpad des Orchards of Chartreuse de Dijon, a convalescent hospital serving people with Alzheimer’s and other end-of-life issues. After backing out of his horse trailer and negotiating the elevator, Peyo chooses which room to enter. He invariably seeks out people that are very, very sick or close to dying, and his healing presence brings great joy to the suffering. Though the video is in French, no translation is needed to witness the healing power of Peyo’s generous heart.

Peyo originally came to Hassen Bouchakour as a dressage horse. Dressage, sometimes described as horse ballet, requires exquisite wordless communication and trust between horse and rider. Apparently, at first, Bouchakour, a world champion in artistic dressage, and Peyo did not click. In fact, at one point, Bouchakour was ready to give up on Peyo and put him up for sale. However, one day, something shifted between the two and everything changed. It was at dressage shows that Bouchakour first noticed Peyo’s propensity toward tending to the ill. The oft-fiery stallion would instinctively move toward the disabled members of the audience where he appeared tender and docile to their touch.

Bouchakour embarked on a three-year journey preparing Peyo to visit the ill and aged. He worked diligently to help the horse grow used to noise and different levels of flooring so that Peyo would be more comfortable inside of hospitals and convalescent homes.

Tremendous care goes into prepping Peyo for the actual visits. His body is covered in antiseptic lotion and a blanket. His mane and tail are tightly braided, and Hassen stays close to him at all times. Medical staff and patients alike appear astonished by the incredible results Peyo achieves simply from his soothing presence: patients who no longer talk, speak; those who don’t move, walk. The handsome stallion’s loving, gentle presence seems to evoke love from those he visits and helps to remind us that healing is always possible. As we move into spring, the time of new beginnings, may we, too, have generous hearts and deep heart connections. Enjoy Peyo’s special message of hope and healing in this article and the videos below.

Peyo and Hassen Visit Ehpad des Orchards of Chartreuse de Dijon:

Check Out Peyo’s Dressage Moves Here!

Tend and Befriend: The Casserole Brigade

Campbell’s Soup Casserole Ad Published Redbook, May 1977, Vol. 149, No. 1 by Classic Film licensed under CC BY 2.0

I am currently writing a chapter about trauma, and how horses help heal trauma for my forthcoming book, Called by the Horse: Women, Horses, and Consciousness. In writing about how trauma affects women differently than men, I took a fresh look at the research that Shelley E. Taylor and her colleagues published in 2000 in the American Psychological Association’s Psychological Review.

Essentially, the article reveals that because of gender bias, previous studies related to the biological results of stress were done on men and male animals. The prevailing idea of “Fight or Flight” from the 1930s came from studying men and male laboratory animals, not female subjects. The research from Taylor’s team showed that while the biological Fight or Flight responses applied to men and women, in women there was a different hormonal response that kicked in: the “Tend and Befriend” response.

“Feel good” and bonding hormones such as oxytocin (found in breastfeeding, giving birth and orgasm) are released in women under stress. Oxytocin is also released in mutual grooming activities like grooming a horse or petting a cat. The hormones cause a biological drive to take care of each other (tend) and to gather with others (especially women) for support, to gather resources and for protection (befriend).

I checked out Taylor’s book, The Tending Instinct. The book is great, but I was disappointed to learn that the genesis of this groundbreaking research came from a lecture that Taylor attended with her graduate students on the amygdala, the part of the brain responding to threats. The bias towards using male subjects in stress research was so obvious that it triggered the drive to study how stress affects women.

My Version: The Casserole Brigade

I was disappointed in Taylor’s version because I had heard a different story about how she and her team chose to study women and stress that was much more relatable. Years ago, I heard the story that Taylor and some of her women research colleagues noticed that when work was especially stressful, the men tended to disappear back to their desks (flight), while the women brought goodies to share and gathered in the work kitchen to eat and commiserate together (tend and befriend).

I recognize the urge to gather and share food; when there is a serious illness or death in a family, women are often the first responders, arriving with casseroles and sweets to share. In September, when my neighbor heard that my beloved cat died, she immediately brought chocolate.

Tend and Befriend as an Evolutionary Advantage

While I prefer my origin story, what is more important is that this research has an interesting hypothesis and important implications. During the million or so years our ancestors were hunter-gatherers, there were evolutionary advantages to the biology of stress; faced with the threat of dangerous animals or human attackers, men were more likely to flee or fight.

It is theorized that women, on the other hand, especially of childbearing age, had to stand their ground in order to take care of babies and small children. They were probably also taking care of the sick and elderly. Fleeing would be more of a threat to themselves and their vulnerable dependents. Women’s biological Tend and Befriend programming encouraged nurturing and banding together with other women, thus protecting their small groups and ultimately the human species.

Why is this important and what does it have to do with horses? Women’s Tend and Befriend instinct shows an evolutionary advantage toward cooperation rather than the competitive and brutal assumptions we have of the survival of the fittest as “natural.”

Horses are one of the oldest surviving species on the planet, probably because they recognize mares as leaders. It’s time to come together and take our place as leaders as we just saw with the U.S. 2018 midterm elections. We need to access the cooperative herd consciousness and leadership skills that come naturally to horses—and are hardwired in women—for the survival of our own species.

Bring on the Casserole Brigade.

More Interesting than Grass

Most Tuesday mornings find me pulling on my barn boots and threadbare jeans for “Tuesdays with Primo.” In my left back pocket is a scrap from some flannel pajamas that I use to wipe his face. I did not intend to fall in love with another senior horse but I did. Primo lives eight minutes from my urban bungalow down a country lane.

Four years ago, I overheard a woman mention that she was taking care of her friend’s horse. The woman was quite ill and her mare needed attention. It seemed like an ideal situation because I wanted a horse in my life. I offered to walk and groom the mare, but after our first meeting, Freddy, the woman taking care of her friend’s horse, said that it wasn’t a good match. She did, however, see or intuited a connection between Primo and me that I didn’t see.

Primo was about twenty six we met. I was much more interested in hanging out with a younger horse. My heart had broken when Guiness died a few years before and I was reluctant to make another deep emotional attachment to a senior horse. For the longest time, Freddy told me that Primo really liked me. I had a hard time believing her, especially because he rarely did what I asked of him.

But I fell in love anyway.

Tuesday, the week before Valentine’s Day, I walked into the pasture filled with lush green grass. Primo knew I was there but continued eating. Without putting his halter on, I nudged him to walk with me toward the gate. Unrestrained, he followed me like a puppy. Each time it feels like a certified miracle. When I first worked with him, he would wander away when I came toward him with the halter. I would chase him all around the field until he gave up on the game. I never blamed him, though sometimes I got frustrated. I blamed my own inadequate horsemanship skills. (It would be several years before I learned that he evaded Freddy, too, unless she lured him with a small carrot.) The only way to get him through the gate was haltered, and getting him to allow the halter was difficult.

Every small act four years ago was hard; finding a halter that fit Primo among the jumble of different sizes, figuring out how to latch the gate, and remembering that the buckle on the halter goes in my left hand. Through it all we learned to love and trust each other. I’ve learned to drop into Horse Time. I relax now as I walk out to the field and let Primo take some transition time before coming with me.

I take my time as I groom Primo before our walk. Long bundles of brown horse hair fall off as I brush him. As I touched him, an image came. I am riding him. I feel the visceral feeling of being held and supported by Primo. We haven’t ridden for at least two years because of his age, though now a young boy rides him every week.

Primo almost died two years ago, and every time I see him, I treasure our time together. I notice details about him as if to etch him more fully into my very being. A bit of his mane lies on his left side like an angel’s wing. His rear legs have white socks. His tail almost reaches the ground. His stiff right hind leg is getting harder for him to lift up when I clean his hoof. Like his forebears, this Peruvian Paso is known for his steady gait, but sometimes I can hear his right hind hoof slipping and I brace myself for his inevitable last day. Tears appear as I allow myself to feel my anticipatory grief, quickly drying again as I drink in my gratitude that we are both here now.

Safe Harbor
Tuesday, we walked calmly past the two dogs behind the neighbor’s fence. They bark at us every week as we pass. Schooner is grey, black and mottled. He used to bark at us only half-heartedly until a few months ago when the younger all-black dog joined him. Now, the two bark at us hysterically each week. Schooner barks for the last time under his favorite spot under the pyracantha bushes laden with orange berries. Dogs may be man’s best friend but historically they were not so to the horse. The wolf ancestors of Schooner and the young black dog are natural predators of horses. At first, we both startled at this weekly cacophony, but Primo looked to me for cues. He learned that I was a safe harbor. We take the barking dogs in stride now. Primo has been my safe harbor, too. I remember a moment of terror when one of Freddy’s mares, Rosebud, charged us both at a full gallop as we were coming through the gate from one of the fields. Primo stood in Rosebud’s way and shielded me from getting mowed down at the open gate.

Down the lane, but before the five red mail boxes, I let Primo stop for a bite of grass at our usual spot. I saw a small white rabbit munch something nearby. Overhead was a lone  mourning dove. Later I heard the familiar trill of red winged blackbirds. Surprisingly, Primo wasn’t very interested in the grass at the side of the lane. Later when we reached his home, he spent a few minutes lingering with me before joining the other horses out on the field.

Years ago, when I hung out with Guiness, Alyssa Aubrey said that I needed to “be more interesting than grass” to get the attention of a horse. Today, I can say that when given the choice between a field full of new grass, and spending time with me, Primo found me more interesting than grass.

 

Launching An Imperfect Website

I am nervous as I write this, because in doing so I am launching www.catherineheld.com. I would not be going live today with the website if I did not have an event coming up with Cammy Michel on November 4th.

I have had the URL since May 2008, and have since felt guilty and foolish for not activating it. The “.com” part threw me off for years,  because it announces “me” as a business. It has been hard to reconcile my image of myself as a healer, teacher and generally good-person-in-the world with the business aspect that the “.com” part of the web address denotes. I have been more of a dot org kind of gal—often giving or deeply discounting my services whether in non-profit work, or to clients asking for energy healing services.

In addition to self-esteem issues related to being in business, part of my reluctance resides with my previous website experience. Shortly after establishing my energy healing website, the designer took off and I was unable to make any changes. So now, with help, I am on a steep learning curve so that I can make changes to this website myself as I go.

Am I Too Much or Too Complicated?

I have also been confused about how to express myself and my ventures through the website. Marketing experts tell me to hone in on my marketing message, to simplify, to let go of anything that might confuse my branding message. How do I share my talents, skills and interests in one place? Do I give up my Ancestor’s Way website to focus only on my books? How do I share my art which has been so private but now wants to be seen? What about my fascination with women and horses or my years of working with cancer survivors? Or the women’s center in the Ukraine that is still a passion after twenty years? Can I share my spiritual practices with others on a business website? And of course, how many websites does one woman need?

Can I Maintain the Blog and Website?

Not surprisingly, my self esteem issues trickle down to all my electronic communications. I have an email newsletter that I sometimes send out. In the past there have been big gaps, even as much as a year between them. Then there is my blog history. It has been years since I added to my Dream Horse Women blog I started ten years ago. Can I commit to regular blog posts, now, knowing that I may fail miserably? Plus, I write longer pieces—the “wrong” length for blog posts. This blog is probably the size of three or more “correct” blog posts.

Wanting to Look Good: An Imperfect Website

Over the years, I have wracked up many good deeds and accomplishments. Grants received, non-profit work, clients whose lives have been transformed, people who are grateful for Delia’s Book. All the marketing seminars I have ever taken suggest that I share those things with you, yet here I am sharing my self-doubt, my vulnerability and my crazy obsessive self-talk. Throw in a large helping of perfectionism drilled into me early, and it’s a recipe for never launching an imperfect website.

I want to look good to the outside world, but my pretty accomplishments are not the whole story. I also have some spectacular failures and insecurities. It makes sense to project an air of confidence to encourage trust, yet my skills helping others are probably more about taking baby steps when those obsessive self-doubting voices start their crazy town talk, than some impressive list of achievements.

Deep Breath Needed

Today, I will take my own tagline “Emboldening women to greater creative and spiritual exploration,” seriously.  I am one of the women that I need to embolden. Shortly, I will push the magic button that will reveal my imperfect, work-in-process website. In order to do that, though, I make the following commitments to myself and to you.

  1. I commit to share my gifts and imperfections.
  2. I commit to share my authentic voice, especially when I am afraid or neurotic.
  3. I commit to writing on a schedule that fits me.
  4. I commit to asking for help when I need it.
  5. I commit to having an imperfect (but live) website.

Here I go, deep breath!